Arbouretum
Iota, Sunday, October 14
[buy from insound]

Dave Heumann lives and works in Baltimore. He has played with Anomoanon, Bonnie “prince” Billy, Cass McCombs and Papa M. Arbouretum is the first band for which he is the primary songwriter, guitarist, and singer. Heumann’s idea for the band was one whose songs would evoke natural forms and movements as opposed to architectural constructions with rigid forms and linear progressions. Whilst the band’s hard-to-find debut was largely an individual process with players working to articulate Heumann’s vision, Rites of Uncovering is the work of a group. Long-time friend Walker David Teret is a multi-instrumentalist who had played in many of the same groups as Heumann. In those groups and in Arbouretum, he has played guitar, bass, keyboards, even the drum kit at times. Walker primarily plays the guitar in the current lineup, but plays a variety of instruments on Rites of Uncovering. Also on the album is drummer Mitchell Feldstein of Lungfish, who filled in when David Bergander (of Love Life and the Celebration) had to depart for other commitments mid-way through the recording. Bassist Corey Allender also played in bands such as Stars of the Dogon, Fascist Fascist, and Cass McCombs’ band before joining Arbouretum.

Rites of Uncovering was recorded in three main sessions: at Rove studios in Shelbyville, KY by Paul Oldham in September 2004; at Magic Shop in New York City with Matt Boynton in September 2005; and with Jeff Duncan at Two East Audio in Baltimore. Some overdubs, including vocals, were done at Soma Studios in Chicago with John McEntire. With each session they tried different technical approaches to recording as well as arrangements, often reworking songs as time and new members brought with them new ideas. A good deal of time was spent working on texture and tone; an open sampling of flavors, as a cook might use spices. The band experimented with equipment such as amplifiers (including music man combo, fender blues jr, silvertone, ampeg reverborocket, voc ax 30) and instruments such as a vibraphone, electric pianos and even a heavily effected toy flute. When performing, their epic guitar solos, Heumann says, “our approach is one of collective deconstuction, whereby we take apart the melodic and the rhythmic ideas of a song, turn them sideways, backwards, or invert them in order to explore and develop the song’s possibilities.”